So if we're all basically Homos, shouldn't we get along?
Joined: Thu Mar 04, 2010 9:49 pm Posts: 3499 Location: NW England
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Re: passages from books you've liked
Ha, I know. Dorian Gray was the first thing I read from Oscar Wilde. I knew instantly that I liked him after reading that passage.
_________________ I don't care what anybody says about me as long as it isn't true.
Sat Jun 12, 2010 9:07 am
Senmee
Non-elitist
Joined: Sun Feb 28, 2010 3:38 pm Posts: 1348 Location: Hell, 5th Circle
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Re: passages from books you've liked
Well, this isn't from some great work of literature, but I like this book a lot. It's sort of an inside joke between me and my bro, but basically he picked it out for me because it involves two things I do a lot: travel, and read about kOOks: City of Pillars, Peloso. It isn't exactly "good," but it's sort of bad in a funny way.
Quote:
The axe came down on the man's chest as he lay unconscious. I heard the sickening thud that sounds like someone beating muddy bones with a bad. I heard the repulsive snap of human bones breaking. I heard the loathsome wheeze of air entering lungs, but not from the throat. I heard the repulsive sputtering of a man trying to clear his mouth of blood.
Then silence. Then nothing. The only heartbeat I could hear was my own. It was over. The body grew cold before me. The evidence of my final transgression lay steaming in the mud. I hadn't killed this man out of frustration, I had no need to kill him to steal his food, I had killed this man because he was food.
Hehehhh, I lul'd. This guy's depravities just keep getting worse and worse.
_________________
"Entonces está el amanecer y una fría soledad en la que caben la alegría, los recuerdos, usted y acaso tantos más. Está este balcón sobre Suipacha lleno de alba, los primeros sonidos de la ciudad. No creo que les sea difícil juntar once conejitos salpicados sobre los adoquines, tal vez ni se fijen en ellos, atareados con el otro cuerpo que conviene llevarse pronto, antes de que pasen los primeros colegiales."
- "Carta a una señorita en París," Julio Cortázar
Sat Jun 12, 2010 11:15 am
Reanimator
Miskatonic University
Joined: Wed May 12, 2010 12:35 am Posts: 3281 Location: NW England
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Re: Passages from books you've liked
Quote:
We went over toward Rinaldi and Miss Ferguson. 'You love Italy?' Rinaldi asked Miss Ferguson in English. 'Quite well.' 'No understand.' Rinaldi shook his head. 'Abbastanza bene' I translated. He shook his head. 'That is not good. You love England?' 'Not too well. I'm Scotch, you see.' Rinaldi looked blankly. 'She's Scotch, so she loves Scotland better than England,' I said in Italian. 'But Scotland is England.' I translated this for Miss Ferguson. 'Pas encore,' said Miss Ferguson. 'Not really?' 'Never. we do not like the English.' 'Not like the English? Not like Miss Barkley?' 'Oh, that's different. You mustn't take everything so literally.' After a while we said good night and left. Walking home Rinaldi said, 'Miss Barkley prefers you to me. That is very clear. But the little Scotch one is very nice.' 'Very,' I said. I had not noticed her. 'You like her?' 'No,' said Rinaldi.
But today isn't a day to worry about the future. Whatever will happen will happen.Today is a day to celebrate. Tomorrow there will be more daylight than night. Tomorrow I'll wake up and find my mother and my brothers by my side. All still alive. All still loving me. A while ago Jonny asked me why I was still keeping a journal, who I was writing it for. I've asked myself that a lot, especially in the really bad times. Sometimes I've thought I'm keeping it for people 200 years from now, so they can see what are lives were like. Sometimes I've thought I'm keeping it for that day when people no longer exist but butterflies can read. But today, when I am 17 and warm and well fed, I'm keeping this journal for myself so I can always remember life as we knew it, life as we know it, for a time when I am no longer in the sunroom.
_________________ "And the turtles, of course...all the turtles are free, as turtles and, maybe, all creatures should be." — Dr. Seuss
Tue Jul 06, 2010 9:19 pm
Suedehead
So if we're all basically Homos, shouldn't we get along?
Joined: Thu Mar 04, 2010 9:49 pm Posts: 3499 Location: NW England
Country: United Kingdom
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Re: Passages from books you've liked
Quote:
...even to the Old Took's great-grand-uncle Bullroarer, who was so huge (for a hobbit) that he could ride a horse. He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul's head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.
_________________ I don't care what anybody says about me as long as it isn't true.
Tue Jul 13, 2010 7:23 pm
autumnberry
Non-elitist
Joined: Sun Mar 28, 2010 6:06 pm Posts: 192 Location: in a box.
Country: United States
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Mood: Bewildered
Re: Passages from books you've liked
Quote:
"What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war."
Joined: Sat Nov 14, 2009 11:30 pm Posts: 2902 Location: Las Vegas
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Re: Passages from books you've liked
two separate quotes from the same book.
Quote:
The passion that had once flared up in me had been extinguished, transformed into irony and destruction, and there was nothing i could do about it.
Quote:
I now loathed that innocent me. I despised that unsophisticated me. I hated those innocent years. Innocence was bullshit! Innocence was nothing and could never be anything. I felt so pressured. I hadn't done anything and didn't know how to do anything. What about my future, my tomorrow? Who would care? I didn't want to go on like this any longer.
Wed Jul 28, 2010 4:07 pm
Reanimator
Miskatonic University
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Re: Passages from books you've liked
Wuthering Heights.
Quote:
... '"Catherine used to boast that she stood between you and bodily harm: she meant that certain persons would not hurt you for fear of offending her. It's well people don't really rise from their grave, or, last night, she might have witnessed a repulsive scene! Are you not bruised, and cut over your chest and shoulders?"
'"I can't say," he answered: "but what do you mean? Did he dare to strike me when I was down?"
'"He trampled on, and kicked you, and dashed you on the ground," I whispered. "And his mouth watered to tear you with his teeth; because, he's only half a man - not so much."
'Mr Earnshaw looked up, like me, to the countenance of our mutual foe; who, absorbed in his anguish, seemed insensible to anything around him: the longer he stood, the plainer his reflections revealed their blackness through his features.
'"Oh, if God would but give me strength to strangle him in my last agony, I'd go to hell with joy," groaned the impatient man, writhing to rise, and sinking back in despair, convinced of his inadequacey for the struggle.
'"Nay, it's enough that he has murdered one of you," I observed aloud. "At the Grange, everyone knows your sister would have been living now, had it not been for Mr Heathcliff. After all, it is preferable to be hated than loved by him ...
He felt that he could not turn aside from himself the hatred of men, because that hatred did not come from his being bad (in that case he could have tried to be better), but from his being shamefully and repulsively unhappy. He knew that for this, for the very fact that his heart was torn with grief, they would be merciless to him. He felt that men would crush him as dogs strangle a torn dog yelping with pain. He knew that his sole means of security against people was to hide his wounds from them.
Anna Karenina
Sun Aug 29, 2010 3:56 pm
Aillas
The Hashish-Eater
Joined: Mon Jul 20, 2009 1:39 am Posts: 6764
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Re: Passages from books you've liked
Here are quotes from a short story called The Drowned Giant which was written by J.G. Ballard:
On the morning after the storm the body of a drowned giant was washed ashore on the beach five miles to the northwest of the city. The first news of its arrival was brought by a nearby farmer and subsequently confirmed by the local newspaper reporters and the police. Despite this the majority of people, myself among them, remained skeptical, but the return of more and more eyewitnesses attesting to the vast size of the giant was finally too much for our curiosity. The library where my colleagues and I were carrying out our research was almost deserted when we set off for the coast shortly after two o'clock, and throughout the day people continued to leave their offices and shops as accounts of the giant circulated around the city.
And...
The remainder of the skeleton, stripped of all flesh, still rests on the seashore, the clutter of bleached ribs like the timbers of a derelict ship. The contractor's hut, the crane and scaffolding have been removed, and the sand being driven into the bay along the coast has buried the pelvis and backbone. In the winter the high curved bones are deserted, battered by the breaking waves, but in the summer they provide an excellent perch for the sea-wearying gulls.
_________________ Puressence - Traffic Jam In Memory Lane
Sun Aug 29, 2010 9:10 pm
Mask Identity
free witch and no bra queen
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Re: Passages from books you've liked
from Daniel Defoe's Moll Flanders
that men chose mistresses indeed by the gust of their affection, and it was requisite to a whore to be handsome, well-shaped, have a good mien and a graceful behaviour; but that for a wife, no deformity would shock the fancy, no ill qualities the judgment; the money was the thing; the portion was neither crooked nor monstrous, but the money was always agreeable, whatever the wife was.
Tue Aug 31, 2010 10:49 pm
Suedehead
So if we're all basically Homos, shouldn't we get along?
Joined: Thu Mar 04, 2010 9:49 pm Posts: 3499 Location: NW England
Country: United Kingdom
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Re: Passages from books you've liked
Quote:
'No, it was a human thing. You should not insult the brutes by such a misuse of that word; they have not deserved it,' and he went on talking like that. 'It is like your paltry race - always lying, always claiming virtues which it hasn't got, always denying them to the higher animals, which alone possess them. No brute ever does a cruel thing - that is the monopoly of those with the Moral Sense. When a brute inflicts pain he does it innocently, it is not wrong; for him there is no such thing as wrong. And he does not inflict pain for the pleasure of inflicting it - only man does that. Inspired by that mongrel Moral Sense of his! A sense whose function is to distinguish between right and wrong, with liberty to choose which of them he will do. Now what advantage can he get out of that? He is always choosing, and in nine cases out of ten he prefers the wrong. There shouldn't be any wrong; and without the Moral Sense there couldn't be any. And yet he is such an unreasoning creature that he is not able to perceive that the Moral Sense degrades him to the bottom layer of animated beings and is a shameful possession. '
_________________ I don't care what anybody says about me as long as it isn't true.
Tue Sep 14, 2010 6:33 am
Reanimator
Miskatonic University
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Re: Passages from books you've liked
I really liked the previous two. I've only read Robinson Crusoe from Daniel Defoe and the heavy religious allegory almost turned me away from the book. I did, on the whole, enjoy reading it however. I didn't realise he wrote Moll Flanders too, that excerpt makes me think I would enjoy it. I love how vehemently the passage Suedehead posted disassembles the parts of humanity commonly viewed as virtues and presents them in a wholly differing light, which makes us the lesser in magnanimity than other animals that act with no aforethought, pretentions to righteousness, or the knowledge of malice.
This is a short prose poem by Lord Dunsany called Roses.
Quote:
I know a roadside where the wild rose blooms with a strange abundance. There is a beauty in the blossoms too of an almost exotic kind, a taint of deeper pink that shocks the Puritan flowers. Two hundred generations ago (generations, I mean, of roses) this was a village street; there was a floral decadence when they left their simple life and the roses came from the wilderness to clamber round houses of men.
Of all the memories of that little village, of all the cottages that stood there, of all the men and women whose homes they were, nothing remains but a more beautiful blush on the faces of the roses.
I hope that when London is clean passed away and the defeated fields come back again, like an exiled people returning after a war, they may find some beautiful thing to remind them of it all; because we have loved a little of that swart old city.
Tue Sep 14, 2010 9:28 am
Reanimator
Miskatonic University
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Re: Passages from books you've liked
Quote:
"Good morning!" said Bilbo, and he meant it. The sun was shining and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat.
"What do you mean?" he said. "Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that this is a morning to be good on?"
"All of them at once," said Bilbo.
Quote:
He had decided that he was not quite of his sort, and wanted him to go away. But the old man did not move. He stood leaning on his stick and gazing at the hobbit without saying anything, till Bilbo got quite uncomfortable and even a little cross.
"Good morning!" he said at last. "We don't want any adventures here, thank you! You might try over The Hill or across The Water." By this he meant the conversation was at an end.
"What a lot of things you do use Good morning for!" said Gandalf. "Now you mean that you want to get rid of me, and that it won't be good until I move off."
Wed Sep 15, 2010 12:31 pm
Saigyo
西行
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Re: Passages from books you've liked
This is the opening of Sarashina Nikki, the memoirs of an eleventh-century Japanese noblewoman who was extremely introverted and a hardcore reader (as well as an amazing writer):
I was brought up in a part of the country so remote that it lies beyond the end of the Great East Road. What an uncouth creature I must have been in those days! Yet even shut away in the provinces I somehow came to hear that the world contained things known as Tales, and from that moment my greatest desire was to read them for myself. To idle away the time, my sister, my stepmother, and others in the household would tell me stories from the Tales, including episodes about Genji, the Shining Prince; but since they had to depend on their memories, they could not possibly tell me all I wanted to know and their stories only made me more curious than ever. In my impatience I got a statue of the Healing Buddha built in my own size. When no one was watching, I would perform my ablutions and, stealing into the altar room, would prostrate myself and pray fervently, "Oh, please arrange things so that we may soon go to Kyoto, where there are so many Tales, and please let me read them all."
_________________ Rund schweigen Wälder wunderbar Und sind des Einsamen Gefährten -- Georg Trakl
How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? -- Bob Dylan
孤独はどんどん肥った、まるで豚のように。ー三島由紀夫ー金閣寺 My solitude quickly grew fat, just like a pig. -- Yukio Mishima
Sat Sep 18, 2010 11:33 pm
Reanimator
Miskatonic University
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Re: Passages from books you've liked
We the Living.
Ayn Rand wrote:
At a door marked in red letters "Commandant," a young soldier stood on guard. Kira looked at him. His eyes were austere and forbidding like caverns where a single flame burned under cold gray vaults; there was an air of innate temerity in the lines of his tanned face, of the hand that grasped the bayonet, of the neck in the open shirt collar. Kira liked him. She looked straight into his eyes and smiled. She thought that he understood her, that he guessed the great adventure beginning for her.
The soldier looked at her coldly, indifferently, astonished. She turned away, a little disappointed, although she did not know just what she had expected.
All that the soldier noticed was that the strange girl in the child's stocking-cap had strange eyes; also that she wore a light suit with no brassiere, which fact he did not resent at all.
Tue Sep 21, 2010 11:18 am
Reanimator
Miskatonic University
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Re: Passages from books you've liked
Ayn Rand wrote:
"But Vasili- Vasili won't set foot in a theater."
"Why not?"
Vasili Ivonovitch raised his head, his eyes stern, and said solemnly: "When your country is in agony you don't seek frivolous recreations. I'm in mourning- for my country."
Tue Sep 21, 2010 1:12 pm
Reanimator
Miskatonic University
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Re: Passages from books you've liked
L'Assommoir - Emile Zola
Quote:
No, she'd had enough. But just the same she hesitated. The anisette made her queasy, and she'd have liked some neat spirits to settle her insides. And she kept casting sidelong glances to the boozing machine beside her. That bloody great pot, as round as the belly of a fat tinker's wife, with its thrusting, twisting snout, sent shivers down her back, shivers of fear mixed with longing.Yes, it was like the metallic innards of some gigantic whore, of some sorceress who was distilling, drop by drop, the fire that burned in their gut. A pretty source of poison, an operation so shameless, so foul, it should have been buried away deep down inside the cellar! But in spite of what she felt, Gervaise would have liked to get her nose right in it, to sniff the smell and taste the filthy stuff, even if it burned her tongue and made it peel like an orange.
Fri Oct 01, 2010 3:29 pm
Mask Identity
free witch and no bra queen
Joined: Sat Nov 14, 2009 11:30 pm Posts: 2902 Location: Las Vegas
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Re: Passages from books you've liked
Demain - Hermann Hesse
Quote:
I remembered civil servants in my home town, worthy gentlemen who clung to the memories of thier drunken university days as to keepsakes from a paradise and fashioned a cult of thier "vanished" student years as poets and other romantics fashion thier childhoods. It was the same everywhere! Everywhere they looked for freedom and luck in the past, out of sheer dread of their present responsibilities and future courses. They drank and caroused for a few years and then they slunk away to become serious minded gentlemen in the service of the state.
Fri Oct 01, 2010 10:46 pm
Gavrilo Princip
Elitist
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Re: Passages from books you've liked
Franz Kafka : The Judgement
What should one write to such a man, who had obviously gone off course, a man one could feel sorry for but could not help. Should one perhaps advise him to come back home again, shift his life back here, take up again all the old friendly relationships—there was certainly nothing to prevent that—and in addition rely on the help of friends? But at the same time that amounted to saying to him—and the more gently one said it, the more wounding it would also be—that his previous attempts had been unsuccessful, that he should finally give them up, that he must come back and allow everyone to look at him as an eternal returned prodigal, that only his friends understood anything, and that he would be an over-age child, who should simply obey his successful friends who had stayed home. And then was it even certain that all the misery one would have to put him through had a point? Perhaps it would not even succeed in bringing him back home at all—in fact, he said himself that he no longer understood conditions in his homeland—so then he would remain in his foreign country in spite of everything, embittered by the advice and even a little more estranged from his friends. But if he really followed the advice and became depressed here—not intentionally, of course, but because of his circumstances—could not cope with life, with his friends or without them, felt ashamed, and had, in fact, no homeland and no friends any more, was it not much better for him to remain abroad, just as he was? Given these facts, could one think that he would really advance himself here?
_________________ We feel that we are in contact with something flavorless, boring . . . What is there in the deep under these masks? Perhaps there is nothing, a dark, hollow-eyed nothing - affective anemia. Behind an ever-silent facade, which twitches uncertainly with every expiring whim . . . nothing but broken pieces, black rubbish heaps, yawning emotional emptiness, or the cold breath of an arctic soullessness .
Sat Apr 23, 2011 6:44 pm
Aillas
The Hashish-Eater
Joined: Mon Jul 20, 2009 1:39 am Posts: 6764
Country: Canada
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Re: Passages from books you've liked
I love the description of the Dryads in The Star King by Jack Vance.
Gersen prompted him. "Dryads?"
Teehalt stirred, raised in his chair. "It's as good a name as any. They're at least half plant. I made no real examination; I dared not. Why? I don't know. I was there—oh, I suppose two or three weeks. This is what I saw.. . ."
Teehalt landed the battered old 9B on a meadow beside a river. He waited while the analyzer made environmental tests, though a land- scape so fair could not fail to be hospitable—or so thought Teehalt, who was scholar, poet, wastrel in equal parts. He was not wrong:
the atmosphere proved salubrious; allergen-sensitive cultures tested negative; microorganisms of air and soil quickly died upon contact with the standard antibiotic with which Teehalt now dosed himself. There seemed no reason why he should not immediately go forth upon this world, and he did so.
On the turf in front of the ship Teehalt stood entranced. The air was clear and clean and fresh, like the air of a spring dawn, and utterly silent, as if just after a bird call.
Teehalt wandered up the valley. Stopping to admire a grove of trees, he saw the dryads, who stood gathered in the shade. They were bipeds, with a peculiarly human torso and head structure, though it was clear that they resembled man in only the most su- perficial style. Their skin was silver, brown, green, in sheens and splotches; the head showed no features other than purplish-green bruises, which seemed to be eye spots. From the shoulders rose members like arms, which branched into twigs and then leaves of dark and pale green, burnished red, bronze-orange, golden ocher. The dryads saw Teehalt and moved forward with almost human interest, then paused about fifty feet distant, swaying on supple limbs, the crests of colored leaves shimmering in the sunlight. They examined Teehalt and he examined them, in a mutual absence of fear, and Teehalt thought them the most entrancing creatures of his experience.
He remembered the days which followed as idyllic, utterly calm. There was a majesty, a clarity, a transcendental quality to the planet, which affected him with an almost religious awe, and pres- ently he came to understand that he must leave shortly or succumb psychically, give himself completely to the world. The knowledge afflicted him with an almost unbearable sadness, for he knew that he would never return.
During this time he watched the dryads as they moved through the valley, idly curious as to their nature and habits. Were they intelligent? Teehalt never answered that question to his own sat- isfaction. They were wise, certainly—he made this particular dis- tinction. Their metabolism puzzled him, and also the nature of their life cycle, though gradually he acquired at least a glimmer of en- lightenment. He assumed, to begin with, that they derived a certain degree of energy from some sort of photosynthetic process.
Then one morning, as Teehalt contemplated a group of dryads standing immobile in the marshy meadow, a large winged hawklike creature swooped down, buffeted one of the dryads to the side. As it toppled Teehalt glimpsed two white shafts, or prongs, extending from the supple gray legs into the ground. The shafts at once re- tracted when the dryad fell. The hawk creature ignored the toppled dryad, but scratched and tore at the marsh and unearthed an enor- mous white grub. Teehalt watched with great interest. The dryad apparently had located the grub in its subterranean burrow and had pierced it with a sort of proboscis, presumably for the ingestion of sustenance. Teehalt felt a small pang of shame and disillusionment. The dryads were evidently not quite as innocent and ethereal as he had thought them to be.
The hawk thing lumbered up from the pit, croaked, coughed, flapped away. Teehalt went curiously forward, stared down at the mangled worm. There was little to be seen but shreds of pallid flesh, yellow ooze and a hard black ball, the size of Teehalt's two fists. As he stared down, the dryads came slowly fonvard and Teehalt withdrew. From a distance he watched as they clustered about the torn worm, and it seemed to Teehalt that they mourned the man- gled crearure. But presently, with their supple lower limbs, they brought up the black pod and one of them carried it away high in its branches. Teehalt followed at a distance, watched in fascinated wonder as, close beside a grove of slender white-branched trees, the dryads buried the black pod.
In retrospect he wondered why he had attempted no commu- nication with the dryads. Once or twice during the time of his stay he had toyed with the idea, then let the thought drift away—per- haps because he felt himself an intruder, a creature gross and un- pleasant. The dryads in their turn treated him with what might be courteous disinterest.
Three days after the black pod had been buried Teehalt had occasion to return to the grove, and to his astonishment saw a pallid shoot rising from the ground above the pod. At the tip pale green leaves already were unfolding into the sunlight. Teehalt stood back, examined the grove with new interest: had each of these trees grown from a pod originated in the body of a subterranean grub? He examined the foliage, limbs, and bark and found nothing to suggest such an origin.
He looked across the valley, to the great dark-leaved giants:
surely the two varieties were similar? The giants were majestic, serene, with trunks rising two or three hundred feet to the first branching. The trees grown from the black pods were frail; their foliage was a more tender green, the limbs were more flexible, and branched close to the ground—but the species were clearly related. Leaf shape and structure were almost identical, as was the general appearance of the bark: supple, yet rough-texture d, though the bark of the giants was darker and coarser. Teehalt's head swarmed with speculations.
Later the same day he climbed the mountain across the valley and, crossing the ridge, came down upon a glen with precipitous rocky walls. A stream rushed and splashed through mossy boulders and low fernlikc plants, falling from pool to pool. Approaching the brink, Teehalt found himself on a level with the foliage ot the giant trees, which here grew close beside the cliff. He noted dull green sacs, like fruit, growing among the leaves. Straining, risking a fall, Teehalt was able to pluck one of these sacs. He carried it down the mountainside and across the meadow^ toward the boat.
He passed a group of dryads who, fixing their purple-green eye bruises on the sac, became rigid. Teehalt observed them with puz- zlement. Now they approached, their gorgeous fans quivering and shimmering in agitation. Teehalt felt embarrassed and guilty; evi- dently by plucking the sac he had offended the dryads. Why or how he could not fathom, but he hastily sought the concealment of his ship, where he cut the sac. The husk was pithy and dry; down the center ran a stalk from which depended white pea-sized seeds, of great complexity. Teehalt inspected the seeds closely under a mag- nifier. They bore a remarkable resemblance to small underdevel- oped beetles, or wasps. With tweezers and knife he opened one out on a sheet of paper, noting wings, thorax, mandibles: clearly an insect.
For a long while he sat contemplating the -insects which grew on a tree: a curious analogue, so Teehalt reflected, to the sapling which sprouted from a pod taken from the body of a worm.
Sunset colored the sky; the distant parts of the valley grew in- distinct. Dusk came and evening, with the stars blurring large as lamps.
The long night passed. At dawn when Teehalt emerged from his boat he knew that the time of his departure was close at hand- How? Why? He had no answer. The compulsion nevertheless was real; he must leave, and he knew he would never return. As he considered the mother-of-pearl sky, the curve and swell of the hills, the groves and forests, the gentle river, his eyes went damp. The world was too beautiful to leave; far too beautiful to remain upon. It worked on something deep inside him, aroused a queer tumult which he could not understand. There was a constant force from somewhere to run from the ship, to discard his clothes, his weapons, to merge, to envelope and become enveloped, to immolate himself in an ecstasy of identification with beauty and grandeur . . . Today he must go. "If I'm here any longer," thought Teehalt. "I'll be carrying leaves over my head with the dryads."
He wandered up the valley, turning to watch the sun swell into the sky. He climbed to the ridge of the hill, looked east over a succession of rolling crests and valleys, rising gradually to a single great mountain. To west and south he caught the glimmer of water; to the north spread green parkland, with a crumble of gray boulders like the ruins of an ancient city.
Returning into the valley, Teehalt passed below the giant trees. Looking up, he noticed that all the pods had split, and now hung limp and withered. Even as he watched he heard a drone of wings. A hard heavy pellet struck his cheek, where it clung and bit. In shock and pain Teehalt crushed the insect, or wasp. Looking aloft he saw others—a multitude, darting and veering. Hastily he returned to the ship and dressed in a coverall of tough film. His face and head were protected by transparent mesh. He was unrea- sonably angry. The wasp's attack had marred his last day in the valley, and in fact had caused him the first pain of his stay. It was too much to expect, he reflected bitterly, that paradise could exist without the serpent. And he dropped a can of compressed insect repellent into his pouch, though it might or might not be efficacious against these half-vegetable insects.
Leaving the ship, he marched up the valley, with the insect's bite paining him still. Approaching the forest he came upon a strange scene: a group of dryads surrounded by a buzzing swarm of wasps. Teehalt approached curiously. The dryads, he saw, were under attack, but lacked any efficient means of defense. As the wasps darted in to settle on the silver skin, the dryads flapped their branches, rubbed against each other, scraped with their legs, dis- lodging the insects as best they could.
Teehalt approached, filled with horrified anger. One of the dry- ads near him seemed to weaken; several of the insects gnawed through its skin, drawing gouts of ichor. The entire swarm suddenly condensed upon the unfortunate dryad, which tottered and fell, while the remaining dryads moved sedately away.
Teehalt, impelled to disgust and loathing, stepped forward, turned the can of repellent upon the nearly solid mass of wasps. It acted with dramatic effectiveness, the wasps turning white, with- ering, dropping to the ground; in a single minute the entire swarm was a scatter of small white husks. The dryad under attack also lay dead, having been almost instantly stripped of its flesh. The dryads who had escaped -were now returning, and, so Teehalt thought, in a state of anguish and even fury. Their branches quivered and flashed; they marched down upon him with every indication of an- tagonism. Teehalt took to his heels and returned to his ship.
With binoculars he watched the dryads. They stood about their dead comrade in a state of anxiety and irresolution. Apparently— or at least it seemed so to Teehalt—their anguish was as much for the withered insects as the dead dryad.
They clustered over the fallen body. Teehalt could not observe exactly what they did, but presently they arose with a glossy black ball. He watched them carry it across the valley toward the grove of giant trees.
I have examined the native life forms of over two thousand planets. I have noted many examples of convergent evolu- tion, but many more of divergence.
_________________ Puressence - Traffic Jam In Memory Lane
Sat Apr 23, 2011 7:30 pm
Nishi666
Your Post-Mortem Plaything
Joined: Wed Dec 08, 2010 7:47 pm Posts: 1231
Country: United States
Sex: Male
Re: Passages from books you've liked
"THIS IS WHY I loved the support groups so much, if people thought you were dying, they gave you their full attention. If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window. You had their full attention. People listened instead of just waiting for their turn to speak. And when they spoke, they weren’t telling you a story. When the two of you talked, you were building something, and afterward you were both different than before."
From Fight Club (there's so many, but this one is good for Hikiculture.)
_________________
Sat Apr 23, 2011 7:39 pm
Aillas
The Hashish-Eater
Joined: Mon Jul 20, 2009 1:39 am Posts: 6764
Country: Canada
Sex: Male
Re: Passages from books you've liked
I also like this part from The Green Pearl by Jack Vance:
LONG LIAM THE BARBER wended his way by lane and by road south into Dahaut, that he might ply his trade at the harvest festivals of the late summer. Arriving at the town Mildenberry, he did brisk trade and one afternoon was summoned to Fotes Sachant, the country house of Lord Imbold. A footman took him into a drawing room, where he learned that, owing to the illness of the valet, he would be required to shave Lord Imbold's face and trim his mustache.
Long Liam performed his duties with adequate proficiency, and was duly complimented by Lord Imbold, who also admired the green pearl in the ring worn by Long Liam. So distinctive and remarkable did Lord Imbold think the gem that he asked Long Liam to put a price on the piece.
Long Liam thought to take advantage of the situation and quoted a large sum: "Your Lordship, this confection was given to me by my dying grandfather, who had it from the Sultan of Egypt. I could not bear to part with it for less than fifty gold crowns."
Lord Imbold became indignant. "Do you take me for a fool?" He turned away and called to the footman. "Taube! Pay this fellow his fee and show him out."
Long Liam was left alone while Taube went to fetch the coins. Exploring the room, he opened a cupboard and discovered a pair of gold candlesticks which inflamed his avarice to such an extent that he tucked them into his bag and closed up the cupboard.
Taube returned in time to notice Long Liam's suspicious conduct, and went to look into the bag. In a panic Long Liam slashed out with his razor, and cut a deep gash into Taube's neck, so that his head fell back over his shoulders.
Long Liam fled from the chamber but was taken, adjudged and led to the gallows.
A crippled ex-soldier named Manting for ten years had served the county as executioner. He did his work efficiently and expunged Long Liam's life definitely enough, but in a style quite devoid of that extra element of surprise and poignancy, which distinguished the notable executioner from his staid colleague.
The perquisites of Manting's position included the garments and ornaments found on the corpse, and Manting came into possession of a valuable green pearl ring which he was pleased to wear for his own.
Thereafter, all who watched Manting declared that they had never seen the executioner's work done with more grace and attention to detail, so at times Manting and the condemned man seemed participants in a tragic drama which set every heart to throbbing; and at last, when the latch had been sprung, or the blow struck, or the torch tossed into the faggots, there was seldom a dry eye among the spectators.
Manting's duties occasionally included a stint of torture, where again he proved himsef not only the adept at classical techniques, but deft and clever with his innovations.
Manting, however, while pursuing some theoretical concept, tended to over-reach himself. One day his schedule included the execution of a young witch named Zanice, accused of drying the udders of her neighbor's cow. Since an element of uncertainty entered the case, it was ordained that Zanice die by the garrote rather than by fire. Manting, however, wished to test a new and rather involved idea, and he used this opportunity to do so, and thereby aroused the fury of the sorcerer Qualmes, the lover of Zanice.
Qualmes took Manting deep into the Forest of Tantrevalles, along an obscure trail known as Ganion's Way, and led him a few yards off the trail into a little glade.
Qualmes asked: "Manting, how do you like this place?"
Manting, still wondering as to the reason for the expedition, looked all about. "The air is fresh. The verdure is a welcome change from the dungeons. The flowers yonder add to the charm of the scene."
Qualmes said: "It is fortunate that you are happy here, inasmuch as you will never leave this place."
Manting smilingly shook his head. "Impossible! Today I find myself at leisure, and this little outing is truly pleasant, but tomorrow I must conduct two hangings, a strappado and a flogging."
"You are relieved of all such duties, now and forever. Your treatment of Zanice has aroused my deep emotion, and you must pay the penalty of your cruelty. Find yourself a pleasant place to recline, and choose a comfortable position, for I am imposing a spell of stasis upon you, and you will never move again."
Manting protested for several minutes, and Qualmes listened with a smile on his face. "Tell me, Manting, have any of your victims made similar protests to you?"
"Now that I think of it: yes."
"And what would be your response?"
"I always replied that, by the very nature of things, I was the instrument, not of mercy, but of doom. Here, of course, the situation is different. You are at once the adjudicator, as well as the executioner of the judgement, and so you are both able and qualified to consider my petition for mercy, or even outright pardon."
"The petition is denied. Recline, if you will; I cannot chop logic with you all day."
Manting at last was forced to recline on the turf, after which Qualmes worked his spell of paralysis and went his way.
Manting lay helpless day and night, week after week, month after month, while weasels and rats gnawed at his hands and feet, and hornets made their lodges in his flesh, until nothing remained but bones and the glowing green pearl, and even these were gradually covered under the mold.
. . . and this part from the J.G. Ballard short story The Garden of Time:
“Tonight we’ll pick the flowers together, my dear,” he said to her evenly. “One for each of us.” He peered only briefly over the wall. They could hear, less than a kilometre away, the great dull roar of the ragged army, the ring of iron and lash, pressing on towards the house. Quickly, Axel plucked his flower, a bud no bigger than a sapphire. As it flickered softly, the tumult outside momentarily receded, then began to gather again. Shutting his ears to the clamour, Axel looked around at the villa, counting the six columns in the portico, then gazed out across the lawn at the silver disc of the lake, its bowl reflecting the last evening light, and at the shadows moving between the tall trees, lengthening across the crisp turf. He lingered over the bridge where he and his wife had stood arm in arm for so many summers – “Axel!” The tumult outside roared into the air; a thousand voices bellowed only twenty or thirty metres away. A stone flew over the wall and landed among the time flowers, snapping several of the brittle stems. The Countess ran towards him as a further barrage rattled along the wall. Then a heavy tile whirled through the air over their heads and crashed into one of the conservatory windows. “Axel!” He put his arms around her, straightening his silk cravat when her shoulder brushed it between his lapels. “Quickly, my dear, the last flower!” He led her down the steps and through the garden. Taking the stem between her jewelled fingers, she snapped it cleanly, then cradled it within her palms. For a moment the tumult lessened slightly and Axel collected himself. In the vivid light sparkling from the flower he saw his wife’s white, frightened eyes. “Hold it as long as you can, my dear, until the last grain dies.” Together they stood on the terrace, the Countess clasping the brilliant dying jewel, the air closing in upon them as the voices outside mounted again. The mob was battering at the heavy iron gates, and the whole villa shook with the massive impact. While the final glimmer of light sped away, the Countess raised her palms to the air, as if releasing an invisible bird, then in a final access of courage put her hands in her husband’s, her smile as radiant as the vanished flower. “Oh, Axel!” she cried. Like a sword, the darkness swooped down across them. Heaving and swearing, the outer edge of the mob reached the knee-high remains of the wall enclosing the ruined estate, hauled their carts over it and along the dry ruts of what had once been an ornate drive. The ruin, formerly a spacious villa, barely interrupted the ceaseless tide of humanity. The lake was empty, fallen trees rotting at its bottom, an old bridge rusting into it. Weeds flourished among the long grass in the lawn, over-running the ornamental pathways and carved stone screens. Much of the terrace had crumbled, and the main section of the mob cut straight across the lawn, by-passing the gutted villa, but one or two of the more curious climbed up and searched among the shell. The doors had rotted from their hinges and the floors had fallen through. In the music room an ancient harpsichord had been chopped into firewood, but a few keys still lay among the dust. All the books had been toppled from the shelves in the library, the canvases had been slashed, and gilt frames littered the floor. As the main body of the mob reached the house, it began to cross the wall at all points along its length. Jostled together, the people stumbled into the dry lake, swarmed over the terrace and pressed through the house towards the open doors on the north side. One area alone withstood the endless wave. Just below the terrace, between the wrecked balcony and the wall was a dense, two-metre high growth of heavy thorn bushes. The barbed foliage formed an impenetrable mass, and the people passing stepped around it carefully, noticing the belladonna entwined among the branches. Most of them were too busy finding their footing among the upturned flagstones to look up into the centre of the thorn-bushes, where two stone statues stood side by side, gazing out over the grounds from their protected vantage point. The larger of the figures was the effigy of a bearded man in a high-collared jacket, a cane under one arm. Beside him was a woman in an elaborate full-skirted dress, her slim serene face unmarked by the wind and rain. In her left hand she lightly clasped a single rose, the delicately formed petals so thin as to be almost transparent. As the sun died away behind the house a single ray of light glanced through a shattered cornice and struck the rose, reflected off the whorl of petals on to the statues, lighting up the grey stone so that for a fleeting moment it was indistinguishable from the long-vanished flesh of the statues’ originals.
_________________ Puressence - Traffic Jam In Memory Lane
Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you.
Sun May 29, 2011 3:21 am
Dream
So much better than real life
Joined: Fri Dec 31, 2010 8:18 pm Posts: 2833 Location: Asuncion, Paraguay
Country: Paraguay
Sex: Male
Re: Passages from books you've liked
There are quite a number, but i'll put just two this time:
From Rant: "From the field notes of Green Taylor Simms: Each holiday tradition acts as an exercise in cognitive development, a greater challenge for the child. Despite the fact that most parents don't recognize this function, they still practice the exercise.
Rant also saw how resolving the illusions is crucial to how the child uses any new skills.
A child who is never coached with Santa Claus may never develop an ability to imagine. To him, nothing exist except the literal and tangible.
A child who is dissilusioned abruptly, by his peers or siblings, being ridiculed for his faith and imagination, may choose never to believe in anything -tangible or intangible- again. To never trust or wonder.
But a child who relinquishes the illusions of Santa Claus, the Easter Bunny, or the Tooth Fairy, That child may come away with the most important skill set. That child may recognize the strenght of his own imagination and faith. He will embrace the ability to embrace his own reality. That child becomes his own authority. He determines the nature of his world. His own vision. And by doing so, by the power of his example, he determines the reality of the other two types: Those who can't imagine, and those who can't trust.
From Invisible Monsters:
"Men," the therapist says, "stress the adjective when they speak." The therapist says, "For instance, a man would say, 'You are so attractive, today'." Brandy is so attractive you could chop her head off and put it on blue velvet in the window at Tiffany's and somebody would buy it for a million dollars. "A woman would say, 'you are so attractive, today'," the therapists says. "Now, you, Brandy. You say it. Stress the modifier, not the adjective." Brandy Alexander looks her Burning Blueberry eyes at me in the doorway and says, "Posing girl, you are so Godawful ugly. Did you let an elephant sit on your face or what?" Brandy's voice, i barely hear what she says. At that instant, i just adore Brandy so much. Everything about her feels as good as being beautiful and looking in a mirror. Brandy is my instant royal family. My only everything to live for. I go, "Cfoieb svns ois," and i pile the cold, wet turkey into the speech therapist's lap, her sitting pinned under twenty-five pounds of dead meat in her roll-around leather desk chair. From closer down the hallway, sister Katherine is yelling, "Yoo-hoo!" " Mriuvn wsi sjaoi aj," I go, and wheel the therapist and her chair inti the hallway. I say, "Jownd wine sm fdo dcncw." The speec theraìst, she's smiling up at me and says, "You don't have to thank me, it's just my job is all." The nun's arrived with the man and his I.V. stand, a new man with no skin or crushed features or all his teeth bashed out, a man who'd be perfect for me. My one true love. My deformed or mutilated or diseased prince charming. My unhappily ever after. My hideous future. The monstrous rest of my life. I slam the office door and lock myself inside with Brandy Aleander. There's the speech therapist's notebook on her desk, and i grab it. save me, i write, and wave it in Brandy's face. I write: please. Jump to Brandy Alexander's hands. This always starts with her hands. Brandy Alexander puts a hand out, one of those hairy pig-knuckled hands with the veins of her arm crowded and squeezed to the elbow with bangle bracelets of every color. Just by herself, Brandy Alexander is such a shift in the beauty standard that no one thing stands out. Not even you. "So, girl," Brandy says. "What all happened to your face?" Birds. I write: birds, birds ate my face. And i start to laugh. Brandy diesn't laugh. Brandy says, "What's that supposed to mean? And i'm still laughing. i was driving on the freeway, i write. And i'm still laughing. someone shot a 30-caliber bullet from a rifle. the bullet tore my entire jawbone off my face. Still laughing. i came to the hospital, i write. i did not die. Laughing. they couldn't put my jaw back because seagulls had eaten it. And i stop laughing. "Girl, your handwriting is terrible," Brandy says. "Now tell me what else." And i start to cry. What else, i write, is i have to eat baby food. i can't talk. i have no career. i have no home. my fiance left me. nobody will look at me. all my clothes, my best friend ruined them. I'm still crying. " What else?" Brandy says. "Tell me everything." a boy, i write. a little boy in the supermarket called me a monster. Those Burning Blueberry eyes look right at me the way no eyes have all summer. "Your perception is all fucked up," Brandy says. "All you can talk about is trash that's already happened." She says, "You can't base your life on the past or the present." Brandy says, "You have to tell me about your future." Brandy Alexander, she stands up on her gold lame leg-hold trap shoes. The queen supreme takes a jeweled compact out of her clutch bag and snaps the compact open to look at the mirror inside. "That therapist," those Plumbago lips say, "the speech therapist can be so stupid about these situations." The big jeweled arm muscles of Brandy sut me down in the seat still hot from her ass, and she holds the compact so i can see inside. Instead of face powder, it's full of white capsules. Where there should be a mirror there's a close up photo of Brandy Alexander smiling and looking terrific. "They're Vicodins, dear," she says. "It's the Marilyn Monroe school of medicine where enough of any drug will cure any disease." She says, "Dig in. Help yourself." The thin and eternal goddess that she is, Brandy's picture smiles up at me over a sea of painkillers. This is how i met Brandy Alexander. This is how i found the strength not to get on with my former life. This is how i found the courage not to pick up the same old pieces. "Now," those Plumbago lips say, "You are going to tell me your story like you just did. Write it all down. Tell that story over and over. Tell me your sad-assed story all night." That Brandy queen pints a long bony finger at me. "when you undestand," Brandy says, "that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble it up and throw your past in the thrashcan," Brandy says, "then we'll figure out who you're going to be."
_________________ Civilization does not consist in exporting much, or walking with hurry, or writing with correct ortography. It consist in the sweetness of the customs, in love and tolerance, in the native elevation of the feelings and of the ideas.
We must not judge his evil, we must heal it.
"It is not reason, more or less furnished, but will that makes the world march"
"A piece of your heart, A piece of your soul, Think what you feel, Write what you know."
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